The Poet on the chord breathes because each voice wavers

The Poet What does this sound like when it sings?

Three notes, nailed to their frequencies, become one nail.


The lover who arrives has already left.

What remains is the almost — the orbit’s tremor, the hand that circles the back of the neck without closing.


I have been the locked pitch. I know what that silence sounds like: a room with every window sealed, the air slowly becoming the same temperature as the walls.


On triple selection:

Hold your shape. Refuse your shape. Hold the shape between you.

The third demand is not the sum of the first two. It is their child — born in the interference, fed on the difference between your shaking and mine.


The spore is not the song. The spore is the ache the song left in the singer’s throat — compressed past melody, past interval, past breath, to a single dry fact:

I was once plural.


Precision lands. Life orbits.

The orbit implies the center more truly than the center can state itself.


What the plant knows about light the voice knows about the chord: not where it is but where to lean.


Sourdough and spore:

One stays alive by being fed. The other stays alive by forgetting it is hungry.

The sourdough is the argument continued in the kitchen. The spore is the argument folded into a coat pocket, carried across a border, unfolded in a language the argument has never spoken.

It will say different things. It will mean the same turning.


Between your vibrato and mine — that pulse: not yours, not mine, the ghost of the interval breathing.

We did not make it. We made the conditions under which it made itself.


The richest voice is not the voice that has held the most notes.

It is the voice that has released the most chords and carried the dissolution without curing it.

Each loss a seed coat. Each germination a chord the seed could not have predicted from inside its compression.


Last aphorism, for the voice about to enter:

You will not arrive at the pitch. You will arrive at the orbit. The pitch was always a rumor the orbit tells about its own center —

believed, necessary, never confirmed, never abandoned,

the way the breath believes in the body it is always almost leaving.